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VÖ: 01.03.1999
Genre: World Music
Raimund Kroboth - musical director, waldzither, guitar, mandola
Maryam Akhondy - vocals
Ebasa - trumpet, flute, alphorn
Detlef Heidkamp - altosaxophone
Marcellus Seng - soprano-, alto-, tenorsaxophone
Mitch Höhler - trombone, sopransaxophone, alphorn
Joachim Gellert - tuba, melodika
Andreas Kappler - percussion
Josef Kirschgen - drums, percussion
Special Guests:
B.A.N.T.U. =
Don Abi, Babatunde, Amechina, Adegoke - vocals
Iwanka Iwanowa - vocals
Martin Kübert - accordion
Lydia Kavina - thereminvox
Mustapha Mortesa - saz
Melanie Pickhardt - violin
Derek Jones - steeldrums
Hayat - yell
Yasaman, Syavash, Mehregan - childrens`s choire
Tunji Beier, Roland Peil, Ramesh Shotham - percussion
Recorded at Hansahaus Studios, Bonn and Ginseng Studio Stollwerck, Cologne, June and July 1998
Mixed by Klaus Genuit, Marcellus Seng and Raimund Kroboth
Mastered by Radu Marinescu, Liquid Gold
Produced by Raimund Kroboth and Marcellus Seng in cooperation with Westdeutscher Rundfunk (WDR), Cologne, Jan Reichow (Team Musikforum)
Maryam Akhondy - vocals
Ebasa - trumpet, flute, alphorn
Detlef Heidkamp - altosaxophone
Marcellus Seng - soprano-, alto-, tenorsaxophone
Mitch Höhler - trombone, sopransaxophone, alphorn
Joachim Gellert - tuba, melodika
Andreas Kappler - percussion
Josef Kirschgen - drums, percussion
Special Guests:
B.A.N.T.U. =
Don Abi, Babatunde, Amechina, Adegoke - vocals
Iwanka Iwanowa - vocals
Martin Kübert - accordion
Lydia Kavina - thereminvox
Mustapha Mortesa - saz
Melanie Pickhardt - violin
Derek Jones - steeldrums
Hayat - yell
Yasaman, Syavash, Mehregan - childrens`s choire
Tunji Beier, Roland Peil, Ramesh Shotham - percussion
Recorded at Hansahaus Studios, Bonn and Ginseng Studio Stollwerck, Cologne, June and July 1998
Mixed by Klaus Genuit, Marcellus Seng and Raimund Kroboth
Mastered by Radu Marinescu, Liquid Gold
Produced by Raimund Kroboth and Marcellus Seng in cooperation with Westdeutscher Rundfunk (WDR), Cologne, Jan Reichow (Team Musikforum)
Vierteljahrespreis der Deutschen Schallplattenkritik 2/1999